Friday Review: Horn Playing from the Inside Out, 3rd Edition, by Eli Epstein

epstein_thirdedIn today’s review we’ll look at another great pedagogical text, Horn Playing from the Inside Out, by Eli Epstein, now in a revised 3rd edition. I first reviewed this book back in 2012, saying:

I really can’t find any faults with this book, and highly recommend it to anyone interested in improving not just their horn playing, but overall musicianship and well being. Horn Playing from the Inside Out approaches even the most challenging techniques from a very matter-of-fact, can-do perspective, which is infectious! With this book, Mr. Epstein has gone a long way towards taking the mystery out of horn technique.

At the time I was preparing for a solo recital, a recording session, and an orchestral audition, and found Epstein’s book to be incredibly helpful in all three endeavors.  The chapters on vowels and managing performance anxiety were particularly useful for me. Since 2012, Mr. Epstein has published two more editions of his book, incorporating the latest scientific and pedagogical information available. If you don’t own a copy of the first or second edition, the third edition is a must, and even if you already own the book it’s worth taking a look at this new edition. Here’s a brief look at content created or modified since the first edition.

  • Expanded and more detailed sections on breathing, vowels, articulation, and dynamics, informed by the latest real-time MRI imagery. Eli Epstein and Dr. Peter Iltis have created a YouTube channel to introduce the world to this exciting new realm of research. Explanations in the book are accompanied by detailed MRI images, which help us to visualize difficult concepts.
  • New chapter on Finger-Breathing, which also has an accompanying YouTube video.
  • Revised commentary and tips on several of the most-requested orchestral excerpts, which have been recorded by the author and are available on iTunes.
  • An appendix on How to Choose a Horn: This is one of the most comprehensive and practical guides to choosing a new instrument that I have seen.

There are numerous other tweaks and updates in this new edition, but the above list hits on most of the major ones. While the first edition was (and is) fantastic as a standalone text, the addition of videos and recordings as companions to the third edition make it even more valuable for horn teachers and students. Part pedagogical treatise, part practical handbook, Horn Playing from the Inside Out should be in every horn player’s library.

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