Returning to my review series, which has been on hiatus for several months, we have a new edition of a publication by Douglas Hill, Low Range for the Horn Player. Originally published by Really Good Music, this new engraving has been made available through the efforts of Daren Robbins, Editor of the International Horn Society’s Online Music Sales program.
If you are unfamiliar with this book, it is part of a series of publications by Hill covering several technical issues in horn playing. Other titles in the series include High Range for the Horn Player and From Vibrato to Trills to Tremolos…for the Horn Player. While in graduate school at the University of Wisconsin-Madison, I had the opportunity to preview draft versions of the high range and trill books, and the low range book was published a few years after I left. Being very familiar with Hill’s teaching and previous publications, I was excited to review this book, which provides numerous tips and exercises for developing one’s low register. Hill’s explanations are practical and to the point, including a Detailed Checklist as a well as a Quick-fix Checklist for low playing. Many of the exercises were familiar to me, but there were also quite a few new ones. In addition to the traditional methods of developing the low range – long tones, pivot/shift, power exercises – many novel approaches are presented, including the use of flutter tonguing as well as multiphonics. Hill is clearly a master pedagogue of the instrument, and brings to bear forty-plus years of teaching experience in his approach to the low range. If one of the exercises doesn’t work for you or your students, there are sure to be several that do. Perhaps the next step for this publication, and others of its type, is to produce short video demonstrations of the exercises and concepts. Having an aural example to refer to or play along with would be very useful I think.
In summary, Low Range for the Horn Player should be required reading for all serious students of the horn. While it may not earn the same glory as the high range, the low tessitura is an equally important and rewarding area of performance and pedagogy.