Upcoming Projects, Part 2: June Recording Session

cropped-412093_10151188927572199_2111445695_o4.jpgThis is the second in a series of posts about some upcoming activities this semester and beyond. You can read the first one here. In addition to my normal performing and teaching schedule, I’m very excited to be involved in two recording projects, the first slated for June 2017, and the second for January 2018. Here’s a brief description of the first one.


Music of Eurico Carrapatoso: I’m honored to be collaborating with colleagues Claire Vangelisti and Richard Seiler on a recording featuring the music of Portuguese composer Eurico Carrapatoso. Carrapatoso is well known in his native Portugal, and is beginning to get some exposure here in the U.S.  Vangelisti and Seiler will be recording several of his works for voice and piano, and I’ll be joining them for three soprano, horn, and piano works:

  • Duas porcelanas musicais
  • Sete melodias em forma de bruma
  • Dois poemas de Miguel Torga

All three are substantial, multi-movement compositions, with fun (and challenging!) horn parts. I’m planning to write more about the details of this project in a future post, and one interesting challenge for me in the preparation of the music has been the choice of equipment. Carrapatoso’s writing for horn tends to emphasize the high range, with lots of light, lyrical passages above the staff, often in harmony or in counterpoint with the voice. Here’s an example of one from the first movement of his Dois poemas de Miguel Torga:

carrapatoso1

And another one from his Sete melodias em forma de bruma:

carrapatoso2

While certainly playable on a standard double horn, these passages and others like them fit well on a descant horn. We performed the Sete melodias em forma de bruma at the 45th IHS Symposium in Memphis, and for that performance I used a Paxman 40M descant horn, on generous loan from a colleague in the Shreveport Symphony. I’m planning to use that same instrument for our recordings in June, although I’m not entirely sold on which mouthpiece to use. My normal mouthpiece, a Houser GS12, works pretty well, although I’m considering some other options tailored more for the high horn. Updates to come!

 

 

 

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[…] For ease of use, I photocopy exercises (or groups of exercises) out of each collection and keep them together in the same folder. From these pages I choose exercises which best fit my needs for upcoming performances. As an example, I’ve been focusing on high range and endurance a bit more in preparation for some contemporary repertoire at the New Music on the Bayou Festival, as well as a recording session in June. […]

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