Last June my colleagues Claire Vangelisti, Richard Seiler, and I recorded an album of music by Eurico Carrapatoso, which you can read about here. We were very excited to receive the first edit of the recording a few weeks ago, and are currently preparing some final editing requests to send to the engineer. From here the next steps are related to production and commercial release, including: liner notes, cover/booklet art and photography, and various other details.
Richard Price, the producer and engineer for this project, let us know that even though this was a first edit, the editing process is more or less complete, utilizing (hopefully) the best possible takes of the material. However, listening to the first edit and providing comments is still very important, as mistakes can happen.
So, how does the first edit of our Carrapatoso recording sound? In short, I think it’s really good! I was very pleased with the warmth, balance, and overall musical quality in all three parts (soprano, piano, horn). Bravo to my colleagues and to Richard Price for helping us sound our very best! That being said, I did have a few minor requests for the final edit (more on that later). I listened to the recording multiple times, and on various devices with different kinds of equipment (speakers, headphones, earbuds, etc.) On my first listen I just popped the disc into my CD drive and let it play all the way through on my stereo. I wasn’t listening too critically at that point, just sitting back and trying to get an overall feel for the sound and making some mental notes about places I wanted to go back and listen to more critically. I did this quite a few more times, using earbuds, in the car, etc. My goal in doing this was to see if any issues I was hearing were exaggerated or minimized depending on the equipment. If something was noticeable during my casual listening on all of this equipment, I definitely wanted to go back and listen more closely with the score and a great pair of headphones. For equipment-minded people who may be curious, I own two pairs of excellent but affordable headphones: Sennheiser HD 518 and Sony MDR-7506 (pictured above). Each is well made, durable, and good for listening to classical music.
After lots of casual and critical listening, I only had a few requests for the second round of edits. At this point they are probably more subjective than anything else, but I made note of them anyway.
- Two places where isolated attacks weren’t quite centered. The takes were definitely usable, but something about the fronts of the notes didn’t sound quite right to me.
- Horn sound was too “live” on a few notes above the staff. I don’t know the exact technical way to describe this, but the mikes were picking up a little more “fuzz” than I would have liked in my sound on a high A-flat. I didn’t notice this effect during the sessions, and again it is a minor issue.
As I am neither a vocalist nor a pianist, these comments are obviously geared towards the horn part. The voice and piano parts are in the more than capable hands of my colleagues. Once we send our comments back we should receive a second (and probably final) edit to listen to one more time before the recording moves to production. Keep an eye out for it in the near future from MSR Classics!
With lots of progress made on this recording I have been turning my attention lately to another project – new original compositions and arrangements for brass trio, featuring Black Bayou Brass.
Look for more information about this project in a future post!