Anton Reicha’s Horn Trios, Op. 82

If my post from yesterday got you excited about horn quartets, today’s post is sure to get you interested in horn trios.  Although the repertoire for horn trio is much more limited than horn quartet, we do have a real jewel in Anton Reicha’s (1770-1836) 24 Horn Trios, Op. 82.  They are probably among the earliest original works for three horns, and are a delight to perform.  Reicha was a direct contemporary of Beethoven, and the two were apparently friends.  Although Reicha’s music in general is probably less adventurous than Beethoven’s, the trios are both technically challenging and musically satisfying.  They can be played in various transpositions, although the keys of F and E-flat are probably the most common.  I have played them a number of times with the original instrumentation, but have also performed them with a brass trio (trumpet, horn, trombone).  Although the uniformity of timbre is missing from the brass trio version, it does allow for some interesting color and articulation variations. If you want to check them out, a score and complete set of parts are available on IMSLP. There are also some great recordings out there, including this one featuring the Tylsar brothers, as well as this one with the Deutsche Naturhorn Soloisten.  However, one recording you should definitely hear is available on the IHS’s podcast page.  This recording is from the 1971 “Third Annual French Horn Workshop,” and is part of a continuing series featuring live performances from that symposium.  The performers are Dale Clevenger, Michael Höltzel and David Krehbiel.  They play the trios brilliantly, as you would expect, but there is also a special treat at the end of their performance that you don’t want to miss!

About the Author

Posted by


Reicha trios op.82 are really a standard repertoire that every horn player should know by memory, both the 3 parts on every key 🙂

I had the oportunity to play some of them in a natural horn and is great how they nicely fit on the hand horn writting.
This cames from the genius of the composer but also from his friendship with the great Louis François Dauprat.

A nice curiosity for this are the
Reicha’s 12 Trios op.93 2 horns and cello. Mr Dauprat made an arrangement for 3 horns. The third horn os the arrangement is really a joke and sometimes plays much more on the high register that the firs horn 🙂

They can be found at:


Add a Response

Your name, email address, and comment are required. We will not publish your email.

Fill in your details below or click an icon to log in: Logo

You are commenting using your account. Log Out /  Change )

Facebook photo

You are commenting using your Facebook account. Log Out /  Change )

Connecting to %s

The following HTML tags can be used in the comment field: <a href="" title=""> <abbr title=""> <acronym title=""> <b> <blockquote cite=""> <cite> <code> <del datetime=""> <em> <i> <pre> <q cite=""> <s> <strike> <strong>

This site uses Akismet to reduce spam. Learn how your comment data is processed.

%d bloggers like this: