Faculty Recital Recordings and Upcoming Posts

October was a very busy month, with a performance or other professional obligation every weekend. November will be a little lighter, which should allow me to post more regularly…at least until December. In early October Richard Seiler and I presented a recital entitled Old Wine in New Bottles: Transcriptions for Horn and Piano. The performance went very well, and I’m pleased to share videos of a few works from the program. All but one  were my own arrangements, which I am planning to record for a forthcoming recording project. More on that later.

First up is my version of Weber’s Romance. For program notes please refer to the link above, but in short the piece  – which is attributed to Weber and often performed by trombone players – works quite nicely on horn. The horn part is not terribly difficult, but does tend to emphasize the low range. It is published and available through Cimarron Music Press.

Next is my take on Ravel’s Vocalise-Etude en Forme de Habanera, originally for voice, but transcribed for numerous other instruments. Not yet published, but coming soon!

The last excerpt from our program is Robert Schumann’s Fantasiestücke, Op. 73, in a wonderful arrangement by Kazimierz Machala. It’s a great piece, but not as difficult as the Adagio and Allegro, Op. 70. I’ve performed the Fantasiestücke multiple times over the years, and it is always rewarding to play.

One item worth noting in the videos is that I am standing by the keyboard, with my bell facing the audience. I have seen more and more horn players standing this way for solo recitals, so I decided to give it a try for this program. My usual position is turned about 180 degrees, in the bend of the piano. These two setups have their advantages and disadvantages, and it is worth trying both as well as other variations. Much depends on the size and acoustics of the hall, but in general I liked being closer to the keyboard for ensemble reasons as well as getting more clarity of sound.

Looking ahead to future posts for this blog, I have a sizable backlog of items for review, including recordings, books, and a new horn!

2010 Southeast Horn Workshop Performance

With the 2011 Southeast Horn Workshop less than two months away, I thought I’d post some audio from my performance at last year’s workshop, held on the campus of the University of Southern Mississippi in Hattiesburg, MS.  I owe a big thanks to Dr. Heidi Lucas, Assistant Professor of Horn at the University of  Southern Mississippi, for making this recording available to me.  I performed Robert Schumann’s  Fantasiestücke, Op. 73, transcribed and edited by Kazimierz Machala, with Dr. Richard Seiler on piano.  One other interesting note about this particular performance is that legendary horn soloist Barry Tuckwell happened to be in the audience at the time, since he was one of the featured artists at the 2010 SEHW.  See the links below to listen to my live performance of all three movements.

Movement I:  Zart und mit Ausdruck

Movement II: Lebhaft, leicht

Movement III: Rasch, mit Feuer

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