Friday Review: New Publications from AvA Editions, Little Suites 1, 2, and 3 by Ricardo Matosinhos

avaeditionsRecently I received several new publications from AvA Musical Editions, which specializes in the music of Portuguese composers. Though they aren’t very well known in the United States, AvA has a variety of high quality publications for horn and other brass instruments.

Ricardo Matosinhos, Little Suite Nos. 1-3, for Horn and Piano

I have previously reviewed other publications by Dr. Matosinhos (here and here), and am likewise impressed by these three charming compositions. The composer has recognized and filled a very important need in today’s music for horn: high quality solo music for beginning to intermediate players. Modern horn music has plenty of intermediate to difficult compositions, but it is rare to find well-written material for younger players. One exception to this observation is First Solos for the Horn Player, by Mason Jones (not to be confused with his more popular Solos for the Horn Player), but this collection contains primarily transcriptions, many of which are too difficult for young players. In addition to composing these accessible and artistic solos for horn and piano, Matosinhos has also recorded them and provided excellent annotations such as range requirements and descriptions of each movement.  Here are some brief summaries of each suite, with links to the recording page and more detailed information.

  • Little Suite No. 1: In terms of range and endurance requirements, this is the easiest of the three. However, it has plenty of melodic and rhythmic variety, and even introduces concepts such as asymmetrical meter, the blues scale, and swing rhythms. Approximate duration is 6’15”
  • Little Suite No. 2: Expanding upon the requirements in Little Suite No. 1, the second suite covers a wider range and uses more complex rhythmic and harmonic material. Stopped horn and syncopations abound, and one instance of flutter tonguing is also required. It should be noted that these techniques are rarely taught until much later in a horn player’s education, and it is refreshing to see them incorporated into a piece for intermediate players. Approximate duration is 5’40”
  • Little Suite No. 3: This would be an excellent solo for a talented young student, and would also work quite well as a lighter selection on a recital at the undergraduate level. The high range is utilized more extensively than in the previous two suites, as is fitting for more advanced players.  Approximate duration is 6’16”

This is fun music – composed especially with younger players in mind – yet full of challenges for the student and teacher to navigate together. The piano parts require a competent and sensitive collaborator, but on the whole are quite reasonable. All three works are found on competition lists in Portugal, and it would be wonderful to see them appear on similar lists in the United States.

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