James Boldin's Horn World

Thoughts on Teaching and Playing the Horn

Posts tagged with James Naigus composer

Recent Performance Videos

November 28, 2021

It’s been a busy semester here in Louisiana, but things are starting to wind down. Final exams and juries remain, as well as a few holiday gigs for which I am very grateful! Best wishes to all of my colleagues as they finish up their teaching and performance obligations for this year.

In lieu of a full update from the past semester, here are some recent performance videos. The first two selections were originally submitted for the 53rd International Horn Symposium, which was 100% online. IHS 53 content is no longer available, so if you didn’t get a chance to hear these videos as part of the symposium you may find them interesting. They are both recent works by living American composers, Douglas Hill and Roger Parks Jones. Program notes for each work can be found in the video descriptions.

Haiku Readings for Solo Horn, by Douglas Hill (music available through the IHS Online Music Sales Library)

Sketchbook for Horn and Piano, by Roger Parks Jones

The next set is from a recent guest recital at the University of Oklahoma (Dr. Matthew Reynolds). This performance was the last in a brief recital tour that also took me to Henderson State University in Arkadelphia, AR (Dr. Heather Thayer), the University of North Texas in Denton, TX (Dr. Stacie Mickens), and the National Association of College Wind and Percussion Instructors Conference at Texas Woman’s University (also in Denton, TX). Huge THANK YOUS! to my kind and generous hosts! It was a fun and diverse program of music for unaccompanied horn and horn with various kinds of electronic accompaniment. If any of these works interest you I encourage you to buy the music and perform them yourself! Program information is in each video’s description.

Visions for Horn and Fixed Media, by James Naigus

“Quiet Tears” for Solo Horn, by Douglas Hill

The Confessions of St. Augustine for Solo Horn, by Erika Raum

Gone to the Other Shore for Wagner tuba and electronics, by Nick Norton

Forces of Nature for Horn and CD with Optional Electric Horn, by Nicholas Fife

Recording Reviews: Richard Deane; Steven Cohen

September 14, 2018

I seldom post recording reviews on this site, but every once in a while I either receive a complimentary album in the mail, or hear about a project that piques my interest. To close out a series of reviews from this summer, here are two horn recordings that are well worth your time.

Mid-Century Sonatas for Horn and Piano – Richard Deane, horn; Timothy Whitehead, piano

  • Halsey Stevens, Sonata for Horn and Piano (1953)
  • Paul Hindemith, Sonata für Althorn in Es und Klavier (1943/1956)
  • Bernard Heiden, Sonata for Horn and Piano (1939)
  • Paul Hindemith, Sonata für Horn und Klavier (1939)

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These sonatas for horn and piano by Halsey Stevens, Paul Hindemith, and Bernard Heiden are staples in the repertoire. Deane is Associate Principal Horn in the New York Philharmonic, and served as Acting Principal for the 2017-18 season. He was previously a member of the Atlanta Symphony for many years. Though the repertoire is conventional, the extremely high caliber of the performances makes this recording special. Deane plays with a huge but focused sound. To my ear the “New York sound” has changed over the years, partially due to changes in equipment, I’m sure, but also probably as a response to the ever increasing demands of the job. Whitehead’s piano playing is equally impressive – especially in the final movement of the Hindemith E-flat Sonata – and is a fitting musical counterpart to the horn in these works.  There is not much in the way of liner notes, but there is a very nice video on YouTube with background about the project: https://www.youtube.com/watch?v=mP-kJf8xiJM  One other interesting note about this album is that Whitehead not only performed on piano, but did all of the recording, producing, editing, and mixing – not a small feat! The recording is both vibrant and clear, and for those who might be interested the recording equipment is listed in the liner notes.

Cruise Control: Horn Music from Five Emerging American Composers – Steven Cohen, horn; Jed Moss, piano; Scott Shinbara, percussion; Amanda Sealock, percussion

  • James Naigus, Sonata for Horn and Piano
  • Jenni Brandon, Dawn for Horn in F and Piano
  • Adam Wolf, Cruise Control for Horn, Piano and Percussion
  • Wayne Lu, Pranayama
  • Gina Gillie, Sonata for Horn and Piano

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Cruise Control is a contrasting but equally interesting album by New York City freelancer Steven Cohen, and features world premiere recordings by several up and coming American composers. This project was sponsored by Siegfried’s Call, with a significant portion of the funding generated through an Indiegogo campaign. Be sure to check out the Indiegogo link for more information about the project and the commissioning process.

The music on this disc is fun and fresh, and showcases what I think the horn does best: play beautiful melodies and exhibit a variety of timbres. Cohen navigates the full range of the horn with ease and expression (using similar equipment to Richard Deane, a triple horn by Engelbert Schmid). Stylistically there is a bit of everything on this recording, from Neo-romanticism in the Sonatas by James Naigus and Gina Gillie to Minimalism and Rock in Cruise Control by Adam Wolf, and avant garde extended techniques in the works by Jenni Brandon and Wayne Lu. This recording is a musical and technical tour de force, and serves as a great resource for anyone interested in new music for the horn.

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