This will be the last update in my Caruso Journal [you can read the other parts here: 1 | 2 | 3 | 4 | 5 | 6 | 7 | 8 | 9 |10]
I got busy last week with some other horn-related things (more on this in a future post) and had to defer my Week 11 journal entry. Rather than post Week 11 late, I thought it would be appropriate to combine Weeks 11 and 12 into a single, final summary.
When I began practicing Caruso studies 12 weeks ago, I wasn’t sure what to expect, but in my experience they have lived up to their reputation as great fundamental exercises! My consistency, endurance, and timing have improved over the last several weeks, and as I’ve mentioned before I will definitely be encouraging my students to practice them. Here are a few summary thoughts for anyone who is thinking about getting into Caruso Studies.
- Go slowly – follow Julie Landsman’s suggested Practice Calendar, or create your own. Whatever you do, come up with something that is progressive and allows enough time (several days to weeks) on each pattern before adding more difficulty and complexity.
- As a corollary to the above, be patient – if you are playing Caruso correctly, your playing should improve. If it doesn’t, take a break for a while, and/or consult with an experienced teacher. If you don’t have access to a teacher right now, watch (and re-watch) Julie Landsman’s excellent YouTube series.
- Track your progress – use a chart (or mark in the music) dates and week numbers to help you adhere to the practice calendar. Be vigilant about avoiding strain when playing any of the exercises. I did not get good results when I had to force something to come out. It worked out much better to play to my comfortable limit and then repeat the pattern the next day or every other day.
I’ve enjoyed working on Caruso Studies, and doing so has helped me become more aware of my breathing and physical timing when I play the horn. I’ll keep doing them and trying to get better!