Technical Excerpts

Amram, David Fanfare and Processional I. Fanfare beg.-15
II. Processional mm.  22-34
II. Processional mm.  44-52
II. Processional mm.  65-73
Arnold, Malcolm Quintet No.1 Op. 73 I. Allegro vivace reh. B-5 mm.  before reh. C
I. Allegro vivace reh. F-1 mm.  after reh. G
I. Allegro vivace 1 mm.  before reh. H-4 mm.  before reh. J
I. Allegro vivace reh. P-7 mm.  before end
III. Con brio 4 mm.  before reh. D-reh. F
III. Con brio reh. H-5 mm.  after reh. J
III. Con brio reh. K-reh. L
Arutiunian, Alexander Armenian Scenes II. Drinking Song 4 mm.  after reh. 5-reh. 7
II. Drinking Song 2 mm.  before reh. 8-reh. 8
II. Drinking Song reh. 9-6 mm.  after reh. 9
IV. Wedding Procession reh. 15-3 mm.  after reh. 15
IV. Wedding Procession reh. 18-reh. 19
IV. Wedding Procession 4 mm.  before end-end
Bach, Jan Rounds and Dances I. Fanfare reh.  B-reh. D
I. Fanfare reh. G-1 mm.  before reh. H
I. Fanfare reh. J-reh. K
II. Sarabande 2 mm.  before reh. D-reh. F
III. Carioca 1 mm.  before reh. B-5 mm.  after reh. B
III. Carioca 2 mm.  before reh. F-reh. G
III. Carioca 4 mm.  after reh. K-reh. L
IV. Idyl reh. B-reh. C
V. Galop 1 mm.  before reh. D-reh. E
V. Galop 1 mm.  before reh. J-reh. K
V. Galop 3 mm.  before reh. P-reh. Q
V. Galop reh. S-end
Bach, Jan Laudes I. Reveille reh. C-9 mm.  after reh. C
I. Reveille 2 mm.  before reh. I-end
II. Scherzo [Entire Movement Muted] beg.-mm.  9
II. Scherzo 8 mm.  before reh. C-6 mm.  before reh. C
II. Scherzo reh. D-5 mm.  after reh. D (passage continues in a similar fashion for 9 more measures)
II. Scherzo 2.1 mm.  before reh. F-reh. F
II. Scherzo reh. I-3 mm.  after reh. I
III. Cantilena beg.-reh. A
III. Cantilena 3 mm.  after reh. D-reh. E
III. Cantilena 2 mm.  after reh. E-4 mm.  after reh. E
IV. Volta reh. C-3 mm.  after reh. D
IV. Volta 3 mm.  before reh. G-2 mm.  after reh. G
IV. Volta 4 mm.  before reh. M-reh. M
Barboteu, Georges Astral n/a 2 mm.  before reh. C-4 mm.  after reh. C
n/a 1 mm.  after reh. G-7 mm.  after reh. G
Bazelon, Irwin Brass Quintet I. Fast-driving beg.-mm.  3
I. Fast-driving mm.  17-19
I. Fast-driving mm.  35-40
I. Fast-driving mm.  55-59
I. Fast-driving mm.  118-123
I. Fast-driving mm.  161-166
II. Moderately mm.  16-31
II. Moderately mm.  51-53
II. Moderately mm.  63-end
III. Slow mm.  33-40
IV. Lively beg.-mm.  10
IV. Lively mm.  22-30
IV. Lively mm.  40-54
IV. Lively mm.  135-149
IV. Lively mm.  164-end
Bernstein, Leonard Dance Suite V. M T V mm. 18-24 (passage continues in a similar fashion for 13 more measures)
V. M T V mm.  66-end
Bozza, Eugene Sonatine I. Allegro vivo mm. 4-9
I. Allegro vivo 6 mm.  before reh. 3-2 mm.  before reh. 4
I. Allegro vivo 3 mm.  before reh. 5-3 mm.  after reh. 5
I. Allegro vivo 5 mm.  before reh. 11-end
II. Andante ma non troppo reh. 1-reh 2
III. Allegro vivo 14 mm.  after reh. 2-8 mm.  before reh. 3
III. Allegro vivo 1 mm.  before reh. 3-5 mm.  after reh. 4 (passage continues in a similar fashion for 10 more measures)
III. Allegro vivo 4 mm.  before reh. 9-end
IV. Largo: Allegro vivo reh. 2-reh. 3 (entire passage muted)
IV. Largo: Allegro vivo 8 mm.  after reh. 6-reh. 7
IV. Largo: Allegro vivo 5 mm.  before reh. 8-reh. 8
IV. Largo: Allegro vivo 2 mm.  before reh. 11-reh. 12
IV. Largo: Allegro vivo 3 mm.  after reh. 15-end
Calvert, Morley Suite from the Monteregian Hills III. Valse Ridicule 3 mm.  after reh. Q-8 mm.  after reh. Q
IV. Danse Villageosie mm.  5-4 mm.  before reh. T
IV. Danse Villageosie reh. U-3 mm.  before reh. V
IV. Danse Villageosie reh. W-end
Carter, Elliott Brass Quintet n/a mm.  5-13
n/a mm.  30-47
n/a mm.  81-95 [muted]
n/a mm.  97-104
n/a mm.  133-144
n/a mm.  154-158
n/a mm.  186-192
n/a mm.  220-224
n/a mm.  233-259
n/a mm.  302-305
n/a mm.  396-400
Cheetham, John A Brass Menagerie I. Molto Allegro ed Energico mm.  24-34
I. Molto Allegro ed Energico mm.  71-82 (passage continues in a similar fashion for 30 more measures)
I. Molto Allegro ed Energico mm.  297-312 (passage continues in a similar fashion for 7 more measures)
II. Lento mm.  7-mm.  31
III. Scherzando ben ritmico mm.  35-71
IV. Alla marcia mm.  22-35 (passage occurs 2 more times in this movement)
IV. Alla marcia mm.  65-80
V. Brillante mm.  36-45
V. Brillante mm.  63-73 (this passage, or variations thereof,  occur 2 more times in this movement
V. Brillante mm.  113-121
V. Brillante mm.  187-end
Scherzo n/a reh. C-2 mm.  before reh. E
Childs, Barney Variations sur une chanson de canotier Introduction and Theme (Movement I) beg.-6 mm.  after reh. 1
Var. 6 beg.-reh. 10
Var. 6 reh. 11-7 mm.  after reh. 11
Dahl, Ingolf Music for Brass Instruments I. Chorale Fantasy on “Christ Lay in the Bonds of Death” mm.  34-40
II. Intermezzo mm.  80-92
II. Intermezzo mm.  140-144
III. Fugue (Composer’s note: The indications “Solo” and “Tutti” apply only to Brass Choir performances. beg.-mm.  10
III. Fugue mm.  92-97
Etler, Alvin Quintet I. mm.  18-30
II. mm.  78- 91
II. mm.  105-115
III. mm.  15-20
III. mm.  24-30
III. mm.  34-43
IV. mm.  1-3 (passage continues in a similar fashion for 17 mor measures)
IV. mm.  69-80
IV. mm.  90-95
IV. mm.  102-122
IV. half valves (Composer’s indication: Remove mouthpiece, set valves as indicated, and tongue the tube-end.) mm.  131-142
IV. mm.  162-170
Ewald, Victor Quintet No. 1, Op. 5 I. mm.  48-54
I. mm.  95-105
II. mm.  159-166
II. mm.  219-225
III. mm.  228-244
III. mm.  286-293
III. mm.  328-330
III. mm.  355-362
Quintet No. 2, Op. 6 I. reh. 2-8 mm.  after reh. 2 (passage continues in a similar fashion for 8 more measures)
I. 1 mm.  before reh. 4-8 mm.  after reh. 4
I. 5 mm.  after reh. 22-reh. 23
II. Thema con Variazioni Var. II 7 mm.  before reh. 1-reh. 1
II. Thema con Variazioni Var. II reh. 2-9 mm.  after reh. 2
II. Thema con Variazioni Var. IV 8 mm.  before reh. 1-reh. 1
II. Thema con Variazioni Var. VI 2 mm.  before reh. 2-4 mm.  after reh. 3
II. Thema con Variazioni Var. VI Coda 11 mm.  after reh. 3-15 mm.  after reh. 3
III. beg. 5 mm.  after reh. 1
III. 3 mm.  after reh. 3-7 mm.  before reh. 4
III. 5 mm.  after reh. 7-2 mm.  after reh. 8
III. reh. 12-8 mm.  after reh. 12
Quintet No. 3, op. 7 I. mm.  92-98
II. Intermezzo mm.  51-59
II. Intermezzo mm.  70-84
Quintet No. 3, op. 7 IV. mm.  200-204
Ewazen, Eric Colchester Fantasy I. The Rose and Crown mm.  26-30
I. The Rose and Crown mm.  36-37
I. The Rose and Crown mm.  73-77
II. The Marquis of Granby mm.  97-103
III. The Dragoon mm.  71-81
III. The Dragoon mm.  149-160
IV. The Red Lion mm.  27-32
IV. The Red Lion mm.  68-72
IV. The Red Lion mm.  82-86
IV. The Red Lion mm.  131-140
IV. The Red Lion mm.  148-150
Frost Fire I. mm.  23-33
I. mm.  64-67
I. mm.  86-95
I. mm.  130-136
III. mm.  121-125
III. mm.  149-152
III. mm.  206-208
III. mm.  220-end
Frackenpohl, Arthur Brass Quintet I. March beg-mm.  3
I. March reh. A-3 mm.  before reh. B
I. March 7 mm.  after reh. D-4 mm.  before reh. E
I. March 5 mm.  before end-end
II. Blues beg.-reh. J
III. Rondo 1 mm.  before reh. Q-9 mm.  after reh. Q
III. Rondo 8 mm.  after reh. S-reh. T
III. Rondo 12 mm.  before reh. X-6 mm.  before reh. X
Gregson, Edward Equale Dances I. Toccata reh. 6-end
III. Scherzo 8 mm.  before reh. 11-1 mm.  after reh. 11
III. Scherzo reh. 12-4 mm.  after reh. 13
V. Burlesque 3 mm.  after reh. 25-2 mm.  before reh. 26 (passage continues in a similar fashion for 11 more measures)
V. Burlesque 3 mm.  before reh. 27-3 mm.  after reh. 27
V. Burlesque 5 mm.  after reh. 28-reh. 29
Quintet for Brass I. 5 mm.  after reh. 4-6 mm.  after reh. 5
I. 6 mm.  before reh. 7-reh. 7
II. 2 mm.  before reh. 13-5 mm.  before reh. 14
II. 4 mm.  before reh. 15-6 mm.  afer reh. 15
II. 2 mm.  before reh. 16-3 mm.  after reh. 17
II. 1 mm.  before reh. 20-4 mm.  after reh. 20
II. 3 mm.  before reh. 22-3 mm.  after reh. 22
Hill, Douglas Intrada for Brass Quintet n/a mm.  31-44
mm.  50-59
Timepieces for Brass Quintet I. Good Times mm.  43-56
I. Good Times mm.  59-62
I. Good Times mm.  75-81
III. Another Time mm.  66-74
III. Another Time mm.  84-90
V. Party Time! mm.  4-11 (passage continues in a similar fashion for 9 more measures)
V. Party Time! mm.  28-42
V. Party Time! mm.  72-83
V. Party Time! mm.  91-97
V. Party Time! mm.  112-121
Hindemith, Paul Plöner Musiktag: Morgenmusik III. mm.  8-20
Horovitz, Joseph Music Hall Suite I. Soubrette song mm.  32-35
II. Trick-cyclists mm.  21-30
V. Les Girls mm.  13-22
V. Les Girls mm.  50-61
Hovhaness, Alan Sharagan and Fugue Fugue reh. E-12 mm.  after reh. E
Fugue reh. G-2 mm.  before reh. H
Husa, Karel Landcapes I. Northern Woods beg.-5 mm.  after reh. A
I. Northern Woods 2 mm.  before reh. B-5 mm.  before reh. D
I. Northern Woods 2 mm.  after reh. D-reh. E
II. Northern Lakes reh. D-reh. E
II. Northern Lakes 3 mm.  before reh. F-2 mm.  after reh. F
III. Voyageurs [muted] reh. C-6 mm.  before reh. D (passage continues in a similar fashion for 60 more measures)
III. Voyageurs [open] 6 mm.  after reh. N-14 mm.  after reh. N
III. Voyageurs [open] 4 mm.  after reh. R-reh. S
III. Voyageurs [open] reh. T-reh. U
III. Voyageurs [open] 8 mm.  before reh. V-1 mm.  before reh. V
III. Voyageurs [open] 5 mm.  after reh. Z-end
Divertimento II. Scherzo 7 mm.  before reh. E-end
IV. Slovak Dance 5 mm.  after reh. H-10 mm.  after reh. H
IV. Slovak Dance 6 mm.  after reh. M-4 mm.  after N
Koetsier, Jan Kinderzirkus, op. 79b I. Kleiner Zirkusmarsch 1 mm.  before reh. D-1 mm.  after reh. E
I. Kleiner Zirkusmarsch 16 mm.  after reh. H-25 mm.  after reh. H
II. Die Seiltänzerin 7 mm.  after reh. B-end
IV. Der Jongleur 1 mm.  before reh. A-reh B
V. Clownerie II mm.  9-20
VI. Der Tanzbär 5 mm.  after reh. A-1 mm.  after reh. B
VII. Der Zauberer mm.  9-17
VIII. Grosses Finale reh. A-4 mm.  before reh. B
VIII. Grosses Finale reh. C-3 mm.  before reh. D
VIII. Grosses Finale 9 mm.  after reh. D-10 mm.  after reh. E
VIII. Grosses Finale 11 mm.  before end-end
Brass Quintet, op. 65 I. mm.  44-51
I. mm.  67-80
I. mm.  92-106
I. mm.  162-173
II. mm.  9-16
II. mm.  33-45
III. mm.  8-17
III. mm.  29-40
III. mm.  58-66
III. mm.  125-137
III. mm.  172-179 (passage continues in a similar fashion for 32 more measures)
III. mm.  212-224
Leclerc, Michel Par Monts et Par Vaux I. La Colline aux épilobes 2 mm.  before reh. 8-end
II. Sous-bois beg.-reh. 2
II. Sous-bois 3 mm.  after reh. 2-3 mm.  after reh. 3
II. Sous-bois 3 mm.  after reh. 4-1 mm.  after reh. 5
II. Sous-bois 3 mm.  before reh. 6-2 mm.  after reh. 6
III. Jeux de la Lienne 3 mm.  before reh. 3-3 mm.  before reh. 4
III. Jeux de la Lienne 3 mm.  after reh. 4-reh. 5
IV. La Chapelle dans les pins 2 mm.  after reh. 2-1 mm.  after reh. 3
IV. La Chapelle dans les pins 3 mm.  after reh. 3-2 mm.  before reh. 4
IV. La Chapelle dans les pins reh. 5-2 mm.  before reh. 6
IV. La Chapelle dans les pins reh. 6-2 mm.  before end
V. Danse de la Follerie beg.-reh. 1
V. Danse de la Follerie reh. 3-2 mm.  after reh. 4
Lovelock, William Suite for Brass I. Fanfare 8 mm.  before reh. 1-reh. 1
I. Fanfare 3 mm.  after reh. 3-reh. 4
I. Fanfare 3 mm.  before reh. 5-reh. 6
II. Meditation 2 mm.  before reh. 10-6 mm.  after reh. 11
III. Toccata 5 mm.  before reh. 20-2 mm.  before reh. 21
IV. Finale mm.  3-reh. 23
IV. Finale 4 mm.  before reh. 26-3 mm.  after reh. 26
IV. Finale 2 mm.  before reh. 27-reh. 28
IV. Finale 3 mm.  before reh. 29-reh. 29
IV. Finale 5 mm.  before end-end
Lutoslawski, Witold Mini Overture n/a beg.-reh. 1
n/a reh. 5-3 mm.  before reh. 6
n/a reh. 8-reh. 9
n/a reh. 14-reh. 16
McCabe, John Rounds I. Allegro mm.  3-1 mm.  after reh. 1
I. Allegro 3 mm.  after reh. 1-3 mm.  before end
II. Allegro moderato 4 mm.  before reh. 5-reh. 5
IV. Allegro moderato 1 mm.  after reh. 19-reh. 20
IV. Allegro moderato reh. 21-reh. 22
Persichetti, Vincent Parable for Brass Quintet n/a mm.  2-9
n/a mm.  11-19
n/a mm.  37-45
n/a mm.  46-52
n/a mm.  65-77
n/a mm.  88-101
n/a mm.  139-144 [muted]
n/a mm.  183-193
n/a mm.  222-231
Plog, Anthony Four Sketches (Quintet No. 1) I. beg. mm.  10
I. mm.  18-22
I. mm.  32-38
II. mm.  33-43 (passage continues in a similar fashion for 9 more measures)
II. mm.  53-60 (passage continues in a similar fashion for 23 more measures)
III. mm.  8-15
III. mm.  34-40
III. mm.  58-63
IV. mm.  8-20
IV. mm.  61-62
IV. mm.  70-82
IV. mm.  127-end
Mosaics (Quintet No. 2) I. mm.  1-4
I. mm.  61-73
II. mm.  11-17
II. mm.  56-end
IV. mm.  8-11
IV. mm.  19-21
IV. mm.  26-29
IV. mm.  46-56
IV. mm.  98-100
Previn, André Four Outings I. mm.  20-23
I. mm.  47-65
II. mm.  12-20 (enters 1 beat after trombone)
II. mm.  37-40
II. mm.  57-72
III. mm.  40-51 [open]
IV. mm.  5-6
IV. mm.  12-13
IV. mm.  31-36
IV. mm.  102-106
Renwick, Wilke Dance n/a mm.  5-15
n/a mm.  27-34
Reynolds, Verne Suite for Brass Quintet I. Toccata 2 mm.  before reh. 6-5 mm.  after reh. 6
I. Toccata 3 mm.  after reh. 8-5 mm.  after reh. 8
I. Toccata reh. 11-3 mm.  before reh. 12
III. Scherzo 8 mm.  before reh. 3-3 mm.  after reh. 3
III. Scherzo 9 mm.  after reh. 6-15 mm.  after reh. 6
III. Scherzo reh. 7-11 mm.  before reh. 8
V. March 1 mm.  before reh. 1-1 mm.  after reh. 2
V. March 5 mm.  after reh. 3-reh. 4
Rieti, Vittorio Incisioni III. Sinfonia da Caccia 4 mm.  after reh. 13-reh. 15
Sampson, David Distant Voices I. James Agee: Writer mm.  13-22
I. James Agee: Writer mm.  32-39
I. James Agee: Writer mm.  42-43
I. James Agee: Writer mm.  90-95
I. James Agee: Writer mm.  159-162
II. Bobby Hackett: Jazz Cornetist mm.  11-17
II. Bobby Hackett: Jazz Cornetist mm.  25-34
II. Bobby Hackett: Jazz Cornetist mm.  56-68
IV. Ben and Mark: My Sons mm.  17-30
IV. Ben and Mark: My Sons mm.  54-64
IV. Ben and Mark: My Sons mm.  120-128
IV. Ben and Mark: My Sons mm.  202-207
Morning Music n/a mm.  54-64
n/a mm.  76-82
n/a mm.  93-97
n/a mm.  112-119
n/a mm.  175-180 (passage continues in a similar fashion for 17 more measures)
n/a mm.  255-259
Sanders, Robert Quintet in B-flat I. mm.  95-110
I. mm.  141-147
Schuller, Gunther Music for Brass Quintet I. mm.  14-20
I. mm.  24-32
I. mm.  37-47
I. mm.  52-55
II. mm.  50–60
II. mm.  66-73
III. mm.  17-24
Stevens, John Fabrics I. Morning Star mm.  58-61
II. Sunshine and Shadow mm.  116-128
II. Sunshine and Shadow mm.  136-138
IV. Flying Geese mm.  33-41
IV. Flying Geese mm.  91-97 (Pattern continues in a similar fashion for 13 more measures)
IV. Flying Geese mm.  157-167
IV. Flying Geese mm.  179-203
IV. Flying Geese mm.  256-end
Seasons I. Spring mm.  16-32
II. Summer mm.  5-9
II. Summer mm.  26-37
II. Summer mm.  59-75
IV. Winter mm.  59-69
IV. Winter mm.  107-120 (Passage continues in a similar fashion for 18 more measures)
Tilson Thomas, Michael Street Song n/a mm.  19-39
n/a mm.  60-67
n/a mm.  120-134
n/a mm.  160-164
n/a mm.  180-196
n/a mm.  220-228
n/a mm.  277-290
n/a mm.  303-309
n/a mm.  351-353
n/a mm.  364-375
Tull Fisher Coup de Brass n/a mm.  3-13
n/a mm.  30-35
Exhibition I. mm.  13-15
I. mm.  49-57
VI. Finale mm.  5-12
VI. Finale mm.  22-30
Wilder, Alec Brass Quintet No. 1 I. Trumpet Prelude reh. F-2 mm.  before reh. G
II. Elegy for Horn reh. A-reh. E
II. Elegy for Horn 1 mm.  before reh. H-reh. J
II. Elegy for Horn 1 mm.  after reh. J-end
III. Tuba Showpiece reh. I-end
V. Toccata 3 mm.  before end-end
VI. Finale reh. G-end

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