While working on a forthcoming project, I’ve been thinking a lot about routines, and how the various exercises we choose to play each day can be structured. For much of my playing career, I’ve tended to choose one routine and stick with it for an extended period of time. Recently, however, I’ve been experimenting with putting together a routine by selecting various exercises from multiple sources. I still cover all of the basics: sound production, flexibility, range work, technique, etc., but instead of playing literally the same exercises for days on end, I have been rotating through sets of similar exercises. This modular approach has been lots of fun to play around with, and has the added benefit of keeping me interested and engaged in what I’m doing every day. There are certain parts of the routine that stay more or less the same, but after the first 15 minutes or so I begin to vary things. Here’s where I’m getting my material these days:
- Jeff Nelsen, various unpublished exercises
- Douglas Hill, Warm-Ups and Maintenance Sessions for the Horn Player
- Douglas Hill, High Range for the Horn Player
- Boldin, Solo Training for Horn
- John Ericson, Low Horn Boot Camp
- William Vacchiano, Trumpet Routines
For ease of use, I photocopy exercises (or groups of exercises) out of each collection and keep them together in the same folder. From these pages I choose exercises which best fit my needs for upcoming performances. As an example, I’ve been focusing on high range and endurance a bit more in preparation for some contemporary repertoire at the New Music on the Bayou Festival, as well as a recording session in June.
Of the items listed above, William Vacchiano’s book is probably the least familiar to horn players. Jeff Nelsen introduced me to this collection several months ago, and it’s been really fun working through some of the studies in it. Vacchiano was a legendary orchestral player and teacher, and his book actually contains 11 complete routines. The exercises are generally pretty short (less than a page usually), and incorporate many of the important trumpet excerpts in the orchestral repertoire. As compared to horn routines, these studies are more technical and tend to emphasize the high range. While I don’t recommend using them exclusively, several exercises work pretty well on horn. Here are two of my favorites.
Don’t these sound fun? I usually balance these out with some low range and stopped horn work.
To be clear, I’m not suggesting that you throw away your trusted routine. In fact, it’s taken me a long time to feel comfortable enough with my own playing to try swapping things in and out of my routine. If used correctly, a good routine instills confidence, while at the same time being challenging enough to promote growth. If the modular approach appeals to you, begin by substituting a small portion of your regular routine (5 minutes or less) and see what you think.
On a related note, I’m very excited to dive into Jeffrey Agrell’s new book Horn Technique: A New Approach to an Old Instrument. In the Introduction, Agrell suggests a similar modular approach to the daily routine.